Want To Be An Author?

Of course you do.

It enhances your resume, brings in royalties, and distinguishes you from the crowd.

It gets you clients. It builds your fan base. It opens up travel and teaching and speaking opportunities.

It lets the world know what you think and what you’ve seen and done.

It allows you to share your knowledge and insight.

It’s cool.

I can make it happen for you.

I’m a ghostwriter. I can interview you or take your notes and material and turn it into a publishable book.

You get all the credit and all the profits.

I stay totally anonymous and get a fee for helping you put the book together.

But I’m not your average ghostwriter.

Your average ghostwriter writes down what you say, types it up, collects their check, and leaves you with an unpublished manuscript.

Maybe you can get it published. Maybe not. It could be years before the book sees print. If ever.

And if it is eventually accepted, what happens then? Unless you’re a Stephen King or a John Grisham, publishers aren’t likely to do much to market your book. All your work could come to nothing.

Unless you work with me.

Because though I’m mainly a ghostwriter, I’m something more: I not only have a lifetime of experience in writing, editing, and teaching writing, but also in publishing, marketing, and graphic design.

That combination lets me do things no other ghostwriter can.

I can:

Write your book or article for you from scratch
Work with you to develop your book idea
Proof, edit, fix up or rewrite an existing partly-finished manuscript
Coach or tutor you to write enjoyably and efficiently

I can also:

Design your book’s cover and page layout.
Help guide you through the publishing process, whether it’s traditional publishing, print-on-demand, or ebooks.
Help you develop a marketing plan for your book
Create marketing materials such as a blog or web site to promote your book
Help you gain media attention for both book and author

I can even work with you to create profit-generating spin-off products:

eBook versions of your book
Audiobook versions of your book
DVD courses based on your book

Other ghostwriters can see that you get a finished manuscript. I can not only help you get your book written, I can get it designed to your satisfaction, get it published, and get it in front of the public.

Can I guarantee a million-dollar advance or a best seller? No. I won’t lie to you. The public isn’t predictable. It buys what it wants to buy.

What I can do is give you the assurance that your book will get in front of your target public, looking professional and saying what you want to say.

Why Hire A Ghostwriter?

Because you want the attention, the income, the respect for expert authority, and the pure personal satisfaction that comes from writing a book and being an author.

And you don’t want the hassles that go with it; the headaches; the rewriting and proofreading; the heavy investment in time; the bad notices you could get if your publication isn’t professional level quality the first time.

Writing a book can make you an acknowledged expert or leader in your field. It can lead to lucrative speaking engagements and public appearances. The right book or article can supercharge your career and change your life – if you can find the right person to help you write it.

There are many advantages to being an author. There are no disadvantages. Whatever your goals or profession, being the author of a book helps. Period.

The only problem is writing the damn thing!

How Does The Process Work?

Things usually start with a call or an email. Someone who needs a writer hears about me, sometimes through a Google Search, often through a referral. Once they get in touch, we chat on the phone about their project to see if we’ll be a good fit. Often we are.

Once the client feels that we can work well together, we talk about what sort of book or other form of writing they want to write, and why. Are we working on improving an existing manuscript, for instance, or does it involve starting something completely new from scratch?

Once I get a clear idea of the project, I provide a quote and we work out payment arrangements. Personally, I prefer to tie payments to specific deliverables along the way. That means that I’ll get a small initial deposit to start the project, and payments are made once a set number of chapters or sections are completed and delivered.

(That way you the client don’t have to commit yourself to a big lump sum up front. Also, it lets you can step away from the project any time you wish. All materials written and delivered till then are yours to keep.)

There’s more on pricing below. Do you have other preferences? Bi-weekly payments instead of monthly? Bitcoin or Euros instead of the dollar? I’m open to other arrangements if clients want them.

When that’s all arranged, I like to collect and review any notes, research, or manuscript material my client may have already written. Some time is set aside for working out the ‘big picture’: the chapter layouts, the overall goal of the book, a working title.

If there’s enough existing material already, sometimes I can start right away in developing it.

If not, I arrange personal meetings or phone interviews to get the material I need to get started. Sometimes the person hiring me needs facts checked and research done. Sometimes a client isn’t sure what exactly they want to say, and I help them clarify their thoughts and ideas. Sometimes the conversations and writing produce new ideas.

Writing a book can be a great deal like brainstorming. Sometimes a client has a brilliant idea or insight in the course of writing, and the focus of the book changes halfway through writing it, which can change the expected landing date.

But once the general layout is agreed on, things couldn’t be more simple. You talk. I listen. I write up a chapter’s worth of what you tell me and give it back to you. You review it and make corrections, if any. I review them and make further suggestions, if any. The process continues till you feel the chapter says what you want it to say. Then we go on to the next chapter.

If, later on in the process, either of us has an idea that will make an earlier chapter stronger, we can return to it. But the goal is to keep making steady progress and add to the page count.

One way or another, the first draft gets done. Once it is, you the client review the whole thing one last time, and make your final corrections or changes. I put them in, get your final approval, and we are ready to go.

I hand you a completed manuscript. You give it a final review and final approval. End of story.

Well… almost the end. You still need to put the manuscript into ebook, print or hardcover form, design a cover, and arrange for a publisher or make the work available on Amazon. If publishing as an ebook is agreeable to you, your book can become globally available in a matter of weeks after the manuscript is done.

Unlike most ghostwriters, I can help with all that. Or point you to others who can.

If you want to handle things yourself after the manuscript is done, that’s fine. We part friends.

What About Price?

I can’t give you a set fee for projects in general. Projects aren’t general — they’re individual. A six-page business article is different from a six hundred page memoir or novel. And a six-page article that requires no research isn’t the same as one that requires three weeks of research.

But I like clients to know the average costs of hiring a ghostwriter, and also what existing prices are on the fair market.

One of the best places for that is the Wikipedia’s ghostwriting page. The Remuneration section (as of August 1, 2018) says:

“Ghostwriters will often spend from several months to a full year researching, writing, and editing nonfiction and fiction works for a client, and they are paid based on a price per hour, per word or per page, with a flat fee, or a percentage of the royalties of the sales, or some combination thereof. Some ghostwriters charge for articles “$4 per word and more depending on the complexity” of the article.

Literary agent Madeleine Morel states that the average ghostwriter’s advance for work for major book publishers is “between $15,000 and $75,000”. These benchmark prices are mirrored approximately in the film industry by the Writer’s Guild, where a Minimum Basic Agreement gives a starting price for the screenplay writer of $37,073 (non-original screenplay, no treatment).

“On the upper end of the spectrum, with celebrities that can all but guarantee a publisher large sales, the fees can be much higher. In 2001, the New York Times stated that the fee that the ghostwriter for Hillary Clinton’s memoirs will receive is probably about $500,000 of her book’s $8 million advance, which “is near the top of flat fees paid to collaborators.”

“In Canada, The Writers’ Union has established a minimum fee schedule for ghostwriting, starting at $40,000 for a 200–300 page book, paid at various stages of the drafting of the book. Research fees are an extra charge on top of this minimum fee. In Germany, the average fee for a confidential ghostwriting service is about $100 per page.

Discussions by actual ghostwriters, printers and clients are available on Quora by clicking here. They’re pretty much in line with the above: “… assuming you have most of the materials at hand, the ghostwriter will be working literally full time (40-45 hours a week) for at least half a year. You’ll just end up paying a level similar to a normal writer/editor’s salary — roughly US $30,000 to US $80,000 a year in the USA.”

So how much do I charge? Well, that depends. I’ve done charity projects and written speeches for very good causes for nothing. I have also worked for Fortune 100 companies. That was not for nothing.

The first step in working out a price that’s all right with a client is to get a clear idea of what the project involves. But at least as important is finding out what the client’s goals and reasons are for writing a book and becoming an author.

Some books are labors of love, but other books are carefully-thought-out investments, and are priced accordingly: if the intended result of the book is to land several hundred-thousand dollar clients, or launch a twenty-thousand-dollar a night speaking career, or secure the Presidency, a fee large enough to allow me to give the project full focus is a given.

Not all payment is financial. Clients sometimes offer interesting things as compensation, from property to crypto to referrals to — well, I need not say more. Suffice it to say I am open to creative negotiation.

But in all cases, my prices are in line with fair market value. The going rates are not a mystery — I’ve listed several if them above, and you can check the standard market rates yourself easily enough. In fact, this link will take you to the Writers Digest 2025 chart for freelance writing fees of all kinds. Ghostwriting a book ranges from an average of $21,690 to a high of $160,000.

Don’t faint. I have yet to charge a client $160,000–although the books I’ve written for clients have made them a great deal more. No client is average, and no job is the same, but If I had to give an average rate and time for a project, I would say that price comes to about $100 a day, and the the project, ideally, can be completely done in six months time.

By ‘completely,’ I mean that your book, finished and formatted complete with cover, can be available for purchase on Amazon, or ready in print editions for direct sales, by that time. One month for overall planning, four months for writing, one month for cover design and Amazon publication.

But please note that I also said ideally. Conditions are rarely ideal. One client once approached me with an idea for a short story. Eventually it became an eight-hundred-page novel. One client approached me to help him write a memoir. He was in real estate, and talked so much more about real estate than his private life that it became a national bestseller with a unique model of doing real estate.

Both projects went way beyond the original scope, and the schedule and my fee changed accordingly. But always with the client’s approval, and in accord with the client’s wishes.

Sometimes too, the opposite happens. The project goes so well and so quickly that I’ve ended up charging less. It doesn’t happen often, but it happens.

Other things happen as well. Flooded basements. Global pandemics. Domestic crises. I try to be understanding, and cut clients a bit of slack when life intervenes. I appreciate it when they do the same. That said, I strive to keep to schedule whenever possible.

I am virtually unique among copywriters in offering to supply an entire promotional and publication package along with the text itself. Often that’s part of the price, but if a client wants only one of those services–just a book cover design, or a ghostwritten manuscript and nothing else–that’s fine too, and the price is reduced accordingly.

Once the fee is settled, and the project and the approach are mapped out and agreed on, I normally ask a small fee in advance to get started, and to cover the time invested in interviews and getting things prepared, and review any notes, research, or manuscript material my client may have already written.

Once the project is actually under way, I’ve found it’s best for both parties if partial payments arrive as milestones in the project are reached — in other words, smaller payments are made as each chapter or agreed-upon section of the book or project is finished.

And then the process generally follows the timeframe till the job is done, and the finished manuscript is in your hands.

Return On Investment

Regarding price, there’s an additional factor to consider–return on investment. Funding the writing of a book shouldn’t just cost money. It should make money. More money than it cost to create it. And that can happen in more ways than you think.

Most people think of book profits only in terms of royalties from book sales. And it’s true that books generate royalty revenues–and not just revenues, but lifelong royalty revenues. Every slow sellers can eventually recoup the cost of creation.

Not every book is a bestseller. In fact, most aren’t. But even slow sellers can eventually recoup the cost of creation. The longer the book is out there generating revenue, the more likely it is that it eventually will, and go on to make more profits all its own.

For business clients, however, the returns are surer, faster, and higher. If you don’t sell even one copy, but put your book in the hands of a high-ticket client who likes it enough to hire you for a $100,000 contract or becomes a million-dollar account, books sales are irrelevant. You’ve scored! On to the next high-ticket client.

Business persons don’t think in terms of cost: they think in terms of return on investment. The income that a book can gain, used as a sales and marketing tool, push the price of its creation in the shade.

More than that: books can be used as the framework for live paid presentations or courses. They can serve as the framework and provide content for online courses. They can be the basis of talks and speeches. Chapters can be taken out, revised a bit, and sold to industry magazines as stand-alone articles. Snippets can be pulled out and posted as blog posts. Or Tweets. Books can attract invitations for (paid) interviews from journalists and online podcasters. On a resume, your book can distinguish you from the competition and get you the job you’ve always wanted.

Sometimes when people ask me what I do, I say, “I write 300-page business cards.” Believe me, a book is the best business card imaginable. Whatever your product, service, idea or cause, nothing sells it better than a book.

A well-written book opens the door to multiple streams of income. Significant streams.

Writing It And Selling It

These days there are quite literally hundreds of low-cost to no-cost ways of promoting your book, from digital press releases to promotional web sites to using social media like Twitter and Facebook to building buzz on blogs and mailing lists.

They’re a necessity. Just writing a book isn’t enough. Promotion is the critical part of the package that can get your book off the ground and into people’s hands

I’ve worked for marketing firms, freelanced as a marketing consultant, written about marketing, taught and lectured about marketing, given presentations on marketing, and provided marketing services for business clients.

So I can not only help you finish your book, but advise and assist with promoting it too.

Helping People Get Over Writer’s Block

My educational background in psychology. I made a special study of writing using that training. I looked for the factors that discourage enjoyable and productive writing, and those that sustain and foster it, and I taught them in class to students — with great success.

I’m currently putting them into a book of my own — Writing More And Suffering Less — designed to help writers write more, and to do it without the anxiety and negativism that makes writing so very hard for so very many.

Needless to say, I can use those successful stress-reducing approaches to help you write too.

As a writing teacher, I gave classes in a variety of subjects — Writing The Novel, Business Writing, Copywriting, Writing For The Web, Writing The Best Seller, Writing The College Admission Essay, even classes on T.S. Eliot, W. H. Auden, and Robert Frost.

Dealing with writer’s block was my main focus, though. So if you’re concerned that, writing will be a tough job, even with the help of a writing professional, don’t be. I’ve had writing students go on to write books entirely on their own. If you can carry on a simple and easy conversation, you can produce enough material for a book.

Publication Guaranteed

Is publication guaranteed? Yes. It’s not widely known, but the publishing process has changed totally with the rise of digitization and print-on-demand technologies. The computer and the internet have turned the once-risky business of hopefully getting your message to the public into a certainty.

Print-on-demand and digital has minuses as well as pluses. But some of the pluses are huge. This Forbes article will give you the numbers, but suffice it to say that 30% of all book sales — as of last year — are ebooks. And 65% of those are through Amazon. The Big Five traditional publishers are still there, but Fifty Shades Of Grey made it to the big screen without any of them.

Of course not every book sells that well. Most don’t. But is publication assured? Yes! No completed manuscript needs to stay at the bottom of a desk drawer anymore. All you need to do is write the book. (Or have someone help you do it.)

I can help because I’ve been part of it from both sides.

I’ve served as an editor and contributing editor, and as a regular contributor of magazine articles. I’ve served as a judge on a grants panel for the arts, worked with independent publishers, had an agent, and run an independent literary journal, and even a small boutique publishing firm.

Yes, I’ve been published. And as an editor I’ve published others. Yes, I am an award-winning writer. Yes, I’ve taught writing — to absolute beginners, teens, adults, and the elderly. My students have included award-winning novelists, college administrators, retired business executives, and authors of academic dissertations — as well as housewives, high school students, and fellow professional writers.

Do I Have Writing Experience?

Good grief, yes. I’ve written just about every sort of business or literary document there is, from non-fiction books, articles, interviews, web content, radio ads, billboards, promotional direct mail, full-page newspaper ads, reports, commercials and business plans, to novels, short stories, poetry, and plays.

Would you like a sample of my writing? What do you think you’ve been reading? Don’t stop here: this web site is full of writing samples, comments, articles, white papers. Click around.

Giving Your Book The Look You Want

Nothing is more painful for an author than to put their time, their convictions, their passions into a book and see it come back in a cheap little edition. As someone taking part in creating that book, it angers me too. So when I can, I like to do more just than help an author write the book — I help design the jacket, do the layout, and prepare it for publication, guiding you through the process till your book is exactly what you want it to be.

You can’t judge a book by its cover? Well, most people do. You’ve seen cheap book jackets and unprofessional covers. Is that what you want your book to look like?

Ghostwriters are writers, not designers. Except in my case. I’ve worked as a professional graphic designer — more than that: for a while I served as the graphics designer for Kirtas, a Fortune 500 company that specialized in books and book digitization. Clients there included the Library of Congress, the University of Moscow, and the British Museum. I’ve created book covers not simply for my own individual clients or for people contacting me to create cover for their books, but for organizations ranging from McMaster University in Canada, to the Bronx Historical Society, to the Kirtas Classics Series for Kirtas technologies.

You can also download — free — a full 200-page-plus PDF of an academic journal I designed and edited, or a shorter but elegant white paper I wrote and designed for a New York real estate developer. Just visit my Samples page.

If you’d like to actually see and hold one that I designed inside and out, page layout to font selections to margins, may I suggest you invest in a copy of Frank J. Edwards’ five-star ranked bestselling thriller Final Mercy, or its sequel, Reap? Be it noted: I did not ghostwrite the novels of this exceptionally fine novelist and poet. I did have the pleasure of designing the covers.

You can see other covers I’ve designed, for published works and some on spec, here.

By-Lines And Co-Authorship

My part in the creation of the book is completely secret and 100% confidential. And it stays secret and confidential. You get the byline, all the credit and all the profits.

Not all ghostwriters work that way. Many want part-credit, or “As Told To…” plus their name written on the book cover. I find that not in the client’s best interest. It always carries the implication that the client is too inarticulate to write it on their own, which is far from the case. My preferred clients are highly articulate, highly intelligent people. They just don’t always have enough time or enough writing experience to organize their observations into the marathon run of a 200 to 300 page book.

Personally, whenever I see “As Told To” someone or “Written With” someone on a book jacket, it always diminishes and detracts from the person from commissioning the book. Clients who pay for a ghostwriter’s services should get all the credit as well as all the profit. No honorable ghostwriter gives up the name of his or her client.

What a ghostwriter strives for is to catch the client’s voice, and write a book that is exactly the book the client would have written if they’d had the time and the literary training. (I once had a client read my revision of his material out loud in one room and then ask his wife in the other room what she thought of it. “Thought of what?” she said. It turned out that she thought it was just him, airing his views out loud. That’s the impression you want to make: the client’s voice speaking, not yours. )

I have another reason for generally avoiding explicit collaboration with a client. Books last a long long time. Sharing credit generally means sharing royalties, and those royalties come in life-long and beyond, literally passing on to one’s children and one’s heirs. That’s a long time to be legally connected.

Being invisible has its drawbacks — references, for instance. It would certainly help ghostwriters get new clients if earlier clients were to come out and say someone helped them write their book. But few do, and I don’t believe in asking them to do so.

However, I can say, truthfully, that my clients and/or their bylines have appeared in the New York Times, the Wall Street Journal, Fox News, the Financial Times, the Boston Globe, Fox Business, the Daily Mail, the Daily News, Crain’s, the Chicago Tribune, ABC News, Reuters, Business Week, CNN Money, the Los Angeles Times, the New York Post, the BBC, CNBC, and Yahoo News.

I do have references, of course, and writing samples galore. Sometimes I may even ask a former client if he or she would be willing to accept a phone call from a prospective client to vouch for my skills. But I don’t require it of them — or you. The credit and the full benefits of anything I write goes and should go entirely to the client. I keep clients’ names secret, and my involvement secret. My part in your book will be totally anonymous. That’s just part of the job.

Do I Provide ‘Piecemeal’ Services?

You mean, am I ready to supply just a book cover, or just edit a completed manuscript, or just get a finished manuscript onto Amazon for you, or just create a digital ebook version, or just create a promotional web page for your book? Sure.

Creating and promoting a book is process that can involve a lot of separate elements. Yes, I can do one or more separate items individually.

Can We Meet?

That depends. Where exactly are you? I live in Rochester, New York. It’s a nice place to be, professionally speaking. I can reach Buffalo, Syracuse or Ithaca New York in a little over an hour by car, and Toronto and New York City in not much over three. So I’m very centrally located if you’d like to talk or meet in person.

The thing is, nowadays you don’t have to meet in person to have a book ghostwritten. The pandemic put an end to that. I always try to meet a client in person at some point during a book project, but for weekly check-ins I mostly chat with clients over Zoom.

Distance isn’t really an issue anymore. You can be on the other side of the world. A face-to-face online conversation is as close and immediate as your laptop or smartphone. Just send a Zoom link to my email, or enter my email address (davidpascal@gmail.com) into Facetime and hit the button.

(But if possible, please email ahead first to schedule — I turn off my phone when I’m working or with a client.)

Are There Any Down Sides To Working With You?

I suppose so. I’m human being. I have sick days and emergencies. When I write, I concentrate. I shut the door and turn off my smartphone, my email, my internet connections. I may not always respond the moment you call.

Also, I’m honest. I don’t believe in taking money for something that isn’t likely to ultimately benefit the client. If I feel your book just isn’t viable, or that it may hurt you in some fashion, I’ll say so. (Disclaimers are usually enough to protect the author, but a responsible ghostwriter should try to protect the client too.)

I’m picky. There are clients I don’t take. Sometimes people who have suffered a deep personal loss will contact me and ask me to write about their departed wife or child or parent. I’ve gone through that myself and I deeply sympathize. But it’s dishonorable to take money from people who are in emotional pain.

I also don’t work with clients who are… strange. If a caller tells me that St. Paul appeared to tell him that Washington is really run by giant superintelligent wombats from the planet Venus and we need to work together to stop this evil galactic conspiracy, I generally do not call back. (Trust me, I’ve gotten nuttier.)

I like clients who pay promptly and stick to contract arrangements. Clients who feel mid-project that their investment manual should be a romance novel, and that this month’s payment for one’s work will just have to wait till next month, if not next year, are not acting professionally.

I much prefer working with ladies and gentlemen. Clients who rant and swear or want to write a book to settle a score are not my speed. If you need someone to write Nazi propaganda, sorry, it’s just not me.

There are also clients I prefer. As someone who often is asked to help market books, clients who are knowledgeable are terrific. It’s easy to write and sell a book about building a business, for instance, if you’re working with someone who knows that business in and out.

I have an interest in cryptocurrency, in venture capital, in AI, in psychology, in literature, in the Civil War and the Cold War, in science fiction, in politics, real estate. If you want to write a book on any of those subjects, you can bet I’ll be listening.

Celebrities make good clients; they’re not always easy to work with in terms of time arrangements, but what they write has a market.

“Thought Leaders” are interesting and fun. If you can see yourself giving a TED talk, you’re someone who has the makings of a good book.

And some clients are just plain generous and charming. I like clients that are likable. For the most part, such clients seem to find me amiable company too.

Start Getting Your Book Or Article Written Today

So. What’s the next step?

Just sit back and think about all the good stuff that can happen once you’re the author of a well-written book or article. And about how much easier it will be with a professional writer there to help you every step of the way.

Then contact me below, or email me at davidpascal@gmail.com, or give me a call: 585-434-7067.

And your book or article will be on its way.

– David Pascal